{"id":209,"date":"2026-01-12T02:20:53","date_gmt":"2026-01-12T02:20:53","guid":{"rendered":"https:\/\/filmhackathon.com\/test\/?page_id=209"},"modified":"2026-01-14T07:50:10","modified_gmt":"2026-01-14T07:50:10","slug":"programme","status":"publish","type":"page","link":"https:\/\/filmhackathon.com\/index.php\/programme\/","title":{"rendered":"Programme"},"content":{"rendered":"\n<section class=\"fh-programme\">\n  <div class=\"fh-container\">\n    <h2 class=\"fh-page-title\">Programme<\/h2>\n\n    <div class=\"fh-two-col\">\n      <!-- Left column -->\n      <div class=\"fh-col\">\n        <h3 class=\"fh-red-title\">Who This Programme Is For?<\/h3>\n        <p class=\"fh-lead\">\n          This programme is designed for aspiring and emerging filmmakers who are serious about working in the film and\n          screen industries. It is particularly suited to:\n        <\/p>\n\n        <ul class=\"fh-bullets\">\n          <li>Aspiring directors, writers, producers, cinematographers, editors, and crew members<\/li>\n          <li>Creatives seeking practical on-set experience rather than academic film theory<\/li>\n          <li>Individuals from underrepresented or non-traditional backgrounds entering the industry<\/li>\n          <li>Artists, performers, and content creators transitioning into narrative filmmaking<\/li>\n          <li>Anyone committed to collaboration, discipline, and hands-on learning.<\/li>\n        <\/ul>\n      <\/div>\n\n      <!-- Right column -->\n      <div class=\"fh-col\">\n        <h3 class=\"fh-red-title\">What You Leave With?<\/h3>\n        <p class=\"fh-lead\">\n          By the end of the programme, participants will leave with tangible skills, experience, and professional confidence, including:\n        <\/p>\n\n        <ul class=\"fh-bullets\">\n          <li>A clear understanding of the complete filmmaking process from idea to distribution<\/li>\n          <li>Practical experience across multiple film departments<\/li>\n          <li>A portfolio of work suitable for showreels and applications<\/li>\n          <li>Industry-standard workflows and professional set etiquette<\/li>\n          <li>Greater confidence collaborating with cast and crew<\/li>\n          <li>Career clarity and guidance for next steps into the industry.<\/li>\n        <\/ul>\n      <\/div>\n    <\/div>\n\n    <h2 class=\"fh-section-title\">Course Guide<\/h2>\n\n    <div class=\"fh-course-grid\">\n      <div class=\"fh-card\">\n        <h4>Intro + Cinematography (Sessions 1\u20132)<\/h4>\n        <div class=\"fh-meta\">Sat 14.02.26 | 11am + 2pm<\/div>\n        <p>Visual storytelling, framing, camera movement, composition, colour temperature, and lighting fundamentals.<\/p>\n      <\/div>\n\n      <div class=\"fh-card\">\n        <h4>Producing (Sessions 3\u20134)<\/h4>\n        <div class=\"fh-meta\">Wed 18.02.26 | 11am + 2pm<\/div>\n        <p>Developing ideas, securing finance, assembling teams, scheduling, budgeting, and distribution strategy.<\/p>\n      <\/div>\n\n      <div class=\"fh-card\">\n        <h4>Writing for Film (Sessions 5\u20136)<\/h4>\n        <div class=\"fh-meta\">Sat 21.02.26 | 11am + 2pm<\/div>\n        <p>Story development, treatments, scripts, and industry-standard screenplay formatting.<\/p>\n      <\/div>\n\n      <div class=\"fh-card\">\n        <h4>Directing (Sessions 7\u20138)<\/h4>\n        <div class=\"fh-meta\">Wed 25.02.26 | 11am + 2pm<\/div>\n        <p>Interpreting scripts, working with actors, camera collaboration, and live directing demonstrations.<\/p>\n      <\/div>\n\n      <div class=\"fh-card\">\n        <h4>Sound (Sessions 9\u201310)<\/h4>\n        <div class=\"fh-meta\">Sat 28.02.26 | 11am + 2pm<\/div>\n        <p>On-set recording, dialogue capture, sound design, music, and post-production audio workflows.<\/p>\n      <\/div>\n\n      <div class=\"fh-card\">\n        <h4>Production Management (Sessions 11\u201312)<\/h4>\n        <div class=\"fh-meta\">Wed 04.03.26 | 11am + 2pm<\/div>\n        <p>Scheduling, logistics, budgeting, equipment, health &amp; safety, and crew coordination.<\/p>\n      <\/div>\n\n      <div class=\"fh-card\">\n        <h4>Lighting Intensive (Sessions 13\u201314)<\/h4>\n        <div class=\"fh-meta\">Sat 07.03.26 | 11am + 2pm<\/div>\n        <p>Cinematic lighting techniques, mood creation, and low-budget lighting solutions.<\/p>\n      <\/div>\n\n      <div class=\"fh-card\">\n        <h4>Editing (Sessions 15\u201316)<\/h4>\n        <div class=\"fh-meta\">Wed 11.03.26 | 11am + 2pm<\/div>\n        <p>Cutting, pacing, colour grading, sound mixing, and delivery formats.<\/p>\n      <\/div>\n\n      <div class=\"fh-card\">\n        <h4>Production Design (Sessions 17\u201318)<\/h4>\n        <div class=\"fh-meta\">Sat 14.03.26 | 11am + 2pm<\/div>\n        <p>Props, costume, make-up, staging, and visual storytelling.<\/p>\n      <\/div>\n\n      <div class=\"fh-card\">\n        <h4>Storyboarding (Sessions 19\u201320)<\/h4>\n        <div class=\"fh-meta\">Wed 18.03.26 | 11am + 2pm<\/div>\n        <p>Shot planning, previsualisation, and efficient production preparation.<\/p>\n      <\/div>\n\n      <div class=\"fh-card\">\n        <h4>Distribution (Sessions 21\u201322)<\/h4>\n        <div class=\"fh-meta\">Sat 21.03.26 | 11am + 2pm<\/div>\n        <p>Festivals, sales agents, streaming platforms, and self-distribution models.<\/p>\n      <\/div>\n\n      <div class=\"fh-card\">\n        <h4>Industry Practice &amp; Showcase (Sessions 23\u201324)<\/h4>\n        <div class=\"fh-meta\">Wed 25.03.26 | 11am + 2pm<\/div>\n        <p>Professional conduct, career pathways, portfolio development, and final feedback.<\/p>\n      <\/div>\n    <\/div>\n  <\/div>\n<\/section>\n\n","protected":false},"excerpt":{"rendered":"<p>Programme Who This Programme Is For? This programme is designed for aspiring and emerging filmmakers who are serious about working in the film and screen industries. It is particularly suited to: Aspiring directors, writers, producers, cinematographers, editors, and crew members Creatives seeking practical on-set experience rather than academic film theory Individuals from underrepresented or non-traditional [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-209","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/filmhackathon.com\/index.php\/wp-json\/wp\/v2\/pages\/209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmhackathon.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/filmhackathon.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/filmhackathon.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/filmhackathon.com\/index.php\/wp-json\/wp\/v2\/comments?post=209"}],"version-history":[{"count":19,"href":"https:\/\/filmhackathon.com\/index.php\/wp-json\/wp\/v2\/pages\/209\/revisions"}],"predecessor-version":[{"id":303,"href":"https:\/\/filmhackathon.com\/index.php\/wp-json\/wp\/v2\/pages\/209\/revisions\/303"}],"wp:attachment":[{"href":"https:\/\/filmhackathon.com\/index.php\/wp-json\/wp\/v2\/media?parent=209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}